Purity Ring Shrines Download Blogspot

Eternal Summers' new album,

Deep Cuts The Knife. Give Up The postal service. The Knife The Knife. Shrines (38:15). Grandloves (feat. Young Magic) HQ 6. Cartographist 7.

Correct Behavior, is an absolutely rousing indie pop album that stays true to their seasonal name.Purity Ring Shrines Download Blogspot
The Roanoke, Virginia band's previous record, Purity Ring Shrines Download BlogspotSilver, was a decidedly scrappy, yet charming blend of jangly power chords and simplistic drumming that always hinted at something more underneath. In the two years since releasing that record, the band got a bassist and dropped a few EPs that showcased their rapid musical growth.
Simply put, Correct Behavior is an immediate and welcome move forward. Where Silver saw the band reveling in the lo-fi and twee punk church of Rose Melberg, Correct Behavior meets them at their most realized state so far. Nicole Yun's swirling guitar riffs and vocals that switch from sweet harmonies to disciplinarian-style barking dominate the record.

The album starts things off right with 'Millions,' a track that is guarateed to be in millions of summer playlists across the country. The second track, 'Wonder,' is an anthem for the outcast in all of us, with lyrics about leaving a misunderstanding world behind you.
Throughout the album, the band's sound shifts from in-your-face 80's pop to dream pop and shoegaze to 90's alternative. 'Good As You' sounds like Slowdive at their peak, while drummer Daniel Cundiff's authoritative vocals on 'Girls in the City' are immediately reminiscent of Pet Shop Boys' 'West End Girls.'
'You Kill,' is arguably the finest track on the album. It is a pop-rock wonder with fuzzy guitars that compliment Yun's voice, which switches from a low croon to a high chant. The lyrics tell a story of a desperate attempt to forget a lost love. 'I forgot to let go of your ghost and does it show?' Yun sings. 'Never never never again.'
The band's closer, 'Summerset,' combines acoustic guitars, a drum machine, and Yun's dreamy and ethereal vocals. Where 'Millions' signifies the start of a wild summer day, 'Summerset' is the song to listen to as the sun sleepily creeps its way below the horizon.
It's always a thrill to see a band come into their own and grow into the sound they were meant to play.

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Correct Behavior drops at the perfect time, and can be a great addition to anyone's backyard barbecue or beach trip.
Here's the video for the band's first single, 'Wonder.'

Fineshrine Purity Ring

Purity Ring is the electronic music project of Corin Roddick (of GOBBLE GOBBLE (now Born Gold) fame) and vocalist Megan James. We have a lovely Northern Exposure exposé on the band that you can read for further elucidation. Shrines is their full length debut on the heels of a hype-building string of internet singles.
I avoided most of the singles for this record. It wasn't a very conscious decision, but I tend to be more of an album guy, digesting music in one 40-minute swoop instead of a few minutes spread across a few months. I did, however, listen to Purity Ring's first single, 'Ungirthed,' which was revealed over a year ago, and I dug the hell out of it. It was like someone took a serrated blade to a radio pop song and then pieced it back together in grotesquely Frankensteinian manner. The beat was herky and jerky, demonic voices and electronics clawed at my ears, and the vocalist was unsuitably heavenly. It sounded like a fresh take on synth pop, free of the then-ubiquitous trappings of chillwave.
Shrines sounds exactly like I expected the album to sound after hearing 'Ungirthed.' In fact, it sounds a bit too much like I expected. In fact, after the first track, you're given the formula for what each of the following ten tracks is going to sound like.
1) Take some deep bass or howling
2) Contrast with tinny synth sounds
3) Add some cheap drum machining and echoey handclaps for percussion
4) Have some of those parts crescendo then cut off at odd intervals to establish syncopation AND/OR play some of those parts backwards
5) Layer on the distant and unaffected vocals
7) Wash, rinse, and repeat for the next track. Actually, forget the washing and rinsing. Just repeat.

Purity Ring Shrines Vinyl

Now, there is nothing intrinsically incorrect about having a very particular sound for an album. Consistency can be a good thing if it's a sound you enjoy, and you'll notice I mentioned above that I liked the sound of 'Ungirthed' quite a bit. But what works for a single 3 minute song may not work over the 11 songs and 40 minutes of an album. Shrines as a whole does not work for me. I was sick of the album before I finished listening to it once, and the last few tracks actively annoyed me.
I got frustrated trying to identify why the record wasn't appealing to me, because there were a lot of things I liked about it. Most of those 'steps' I outlined above are textures I enjoyed (aside from the echoey handclaps and REVERB, which truth be told is not as bad as most). I can have a special affectation for cheap electronic sounds in the right context. I like a good chopped-up instrumental portion (sliced-and-diced vocals more so). I think their contrast between dark and light sounds is a good place for a band to explore. But even though I liked those parts of the production, I have to blame the overall production for this album's failings.
Here's the thing: modern pop music relies just as much on its production as on its songwriting. Production is probably more important. Did you know 'Call Me Maybe' was originally written as a folk song? Do you think it would have been nearly as successful without its bright, poppy production? I digress a little, but my point is that simple songwriting alone does not an excellent pop album make. It's the arrangements, the structuring, the mixing, the dressing that can transform 'your favorite chord progression here' into something stellar.
The songwriting on Shrines strikes me as just dandy. Above average, even. Most of its tracks have at least one really good hook (I'm especially partial to how sexy 'Odebear' sounds), and they're all straightforward in construction. Art pop it is not, but that is fine. When production time comes around, I think most albums aim for a balance between making the songs distinguishable while still maintaining a cohesive aesthetic. Trust accomplished that really well earlier this year with their debut TRST. It was clearly indebted to the goth rock and coldwaves of the '80s, but each song had its own personality. Purity Ring's songs are certainly cohesive, but there's so little sonic variety in Shrines that it felt like I was listening to one way-too-long pop song. I'll admit that I'm much more forgiving towards an album whose sound is all over the place versus one which sounds too stagnant, because inconsistency at least points to creativity. Purity Ring feel like a one-trick pony.
I said earlier that I'm more of an album guy than a singles guy, but I think Shrines is best digested as individual singles and not all at once. It has tracks I'll be coming back to ('Ungirthed,' 'Odebear,' 'Crawlersout,' 'Belispeak'), but it's a grating record in its entirety. The tricks I liked are beaten into mundanity, and its flaws become more prominent. By no means is it a terrible album, and if you aren't annoyed by the problems I've outlined you should enjoy it. For me, it's a case where a little variety would have gone a long way. Purity Ring have a unique style, but they manage to make it sound boring.

Purity Ring Music

Score: Strong 5/Lite 6

Shrine Rings Mens

(Steve Jones is seeking to exchange purity rings with any man or woman who also wishes to maintain the purity of their body's temple in the eyes of the LORD. Interested parties may contact his Twitter @vestenet.)